Paul Meyer (conductor / clarinet) Omega Ensemble: Andrew Haveron (concertmaster), Alexandra Mitchell (violin), Emma Jardine (violin), Reafen Lui (violin), Anna McMichael (violin), Monique Irik (violin 2), Belinda Jezek (violin 2), Caroline Hopson (violin 2), Victoria Bihun (violin 2), Neil Thompson (viola), Ella Brinch (viola), James Wannan (viola), Paul Stender (cello), Rowena Macneish (cello), Jaan Pallandi (double bass). Eric Lamb Rummel (flute), James Fortune (flute), David Reichelt (oboe), Josh Oates (oboe), Ben Hoadley (bassoon), Rebecca Allen (bassoon), Michael Dixon (horn) and Phil Wilson (horn) Wolfgang Amadeus Mozart (1756-1791) Clarinet Concerto in A major K.

Типовая должностная инструкция старшему инженеру по охране труда и технике безопасности производственно-технического отдела (ПТО) треста по эксплуатации газового хозяйства. О ПРОИЗВОДСТВЕННО-ТЕХНИЧЕСКОМ ОТДЕЛЕ (ПТО) ТРЕСТА ПО ЭКСПЛУАТАЦИИ ГАЗОВОГО ХОЗЯЙСТВА Производственно-технический отдел (ПТО) является структурным подразделением треста по эксплуатации газового хозяйства и находится в непосредственном подчинении главного инженера треста. В своей деятельности ПТО руководствуется СНиП Госстроя СССР, «Правилами безопасности в газовом хозяйстве» и «Правилами устройства и безопасной эксплуатации сосудов, работающих под давлением» Госгортехнадзора СССР, «Правилами технической эксплуатации и требованиями безопасности труда в газовом хозяйстве РСФСР», «Правилами технической эксплуатации и требованиями безопасности труда на газонап. Типовая должностная инструкция инженеру производственно-технического отдела (ПТО) треста по эксплуатации газового хозяйства. Типовая должностная инструкция технику производственно-технического отдела (ПТО) треста по эксплуатации газового хозяйства. Должностная инструкция инженера по газовому хозяйству.

Sigismund Toduţă ~ Sonata for flute and piano (1952) Хорошее видео на разнообразные темы. Jacques Ibert-Flute Concerto 1st movement, Allegro.

622 (1791) I. Rondo: Allegro Around the turn of the 18th century, German instrument-maker Johann Denner added a register key to the simple tube-like Chalumeau – the instrument that later became known as the clarinet. Appreciating its extended range and improved tone, composers began including the instrument in orchestral scores towards the middle of the century and in the late 1750s, the Mannheim Orchestra became the rst to employ clarinet players. On hearing this orchestra perform, Mozart was captivated, exclaiming to his father: “Oh, if only we had clarinets too! You can’t imagine the glorious effect of a symphony with utes, oboes and clarinets!” Whenever possible, the composer thereafter included the clarinet in his orchestrations. But it was only when he heard the virtuoso Anton Stadler perform that Mozart began to more prominently feature the instrument in his music, pushing the clarinet’s limits and creating works that would forever mark its place in the classical music establishment. Mozart’s Clarinet Concerto in A major, K.

622 is one such work the first major concerto for the instrument, it is also the last work Mozart completed before dying at the age of just 35. The opening movement’s evolving melody reveals the clarinet’s vast colour range, while the second is breath-taking in its beautiful simplicity. The final movement is in rondo form with each of the contrasting episodes a new opportunity for the display of dramatic virtuosity. The Clarinet Concerto was premiered in Prague by Stadler himself, and while it did not meet with universal enthusiasm, it did win the composer a number of fans, with critic Bernhard Weber writing: “Such an abundance of beauty almost tires the soul, and the e ect of the whole is sometimes obscured thereby. But happy the artist whose only fault lies in an all too great perfection.” Program Notes: Rhiannon Cook Recorded live @ City Recital Hall November 3rd 2016 Omega Ensemble - Ensemble in Residence @ City Recital Hall, Sydney, Australia. Audio recording by ABC Classic FM Andre Shrimski - Music Producer Andrew Edgson - Sound Engineer Omega Ensemble gratefully acknowledges their support Videographer - Bruce Terry. Views: 22598.

Продолжительность: 26:37. World-renowned flutist Emmanuel Pahud focuses on air support with Laura Kaufman while working on the Sonata for Flute and Piano, Op. 23 by Lowell Liebermann. One of today's most celebrated and wide-ranging artists, Emmanuel Pahud led a two-hour master class devoted to sonatas for flute and piano and answered audience members' questions, focusing on important issues that every performing musician faces. Visit for more information about Carnegie Hall's workshops and master classes. Views: 117086. Продолжительность: 08:47.

World-renowned flutist Emmanuel Pahud guides young musicians toward research and reflection to gain insight into expressing a composer's intentions. One of today's most celebrated and wide-ranging artists, Emmanuel Pahud led a two-hour master class devoted to sonatas for flute and piano and answered audience members' questions, focusing on important issues that every performing musician faces. Visit for more information about Carnegie Hall's workshops and master classes. Views: 20921. Продолжительность: 04:54. Emmanuel Pahud (flute) / Daishin Kashimoto (violin) / Diemut Poppen (viola) 11th International Pharos Chamber Music Festival Royal Manor House / Kouklia May 2011 The Royal Manor House / Kouklia is one of the finest surviving monuments of Frankish architecture in Cyprus and an unparalleled venue for intimate chamber music performances. The building also houses an archaeological museum, which records the rich history of human activity in the region from about 2800 BC to the present day.

The Royal Manor House, which is part of the Cyprus Tourism Organisation's Aphrodite's Cultural Route, is also a UNESCO World Heritage site. Palaipaphos, or Old Paphos, was a city-kingdom of Cyprus and one of the most celebrated pilgrimage centres of the ancient Greek world. It was the site of a famous sanctuary of Aphrodite, the oldest remains of which date back to the 12th century BC. This video is property of the Pharos Arts Foundation and used strictly for publicity purposes. Views: 32359. Продолжительность: 02:15. Revolution: album out March 2015 Amazon: Facebook: This album is about taking you on a journey via three decades of flute concertos surrounding the events of the famous storming of the Bastille in 1789, in what was a rapid transition from Gluck’s musical idiom, shaped by opera and the Baroque – his concerto here embodies Paris before the revolution – to the Romantic and revolutionary ideal that we hear in the music that follows.

I had the great fortune of having Giovanni Antonini and the Kammerorchester Basel as partners. They defend this music with fighting spirit and a truly revolutionary fervour!” -Emmanuel Pahud. Views: 23801.

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